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Author Topic: Slash Interviews LA Times/Weekly 'Off The Beaten Slash Path'; Video  (Read 2259 times)
FunkyMonkey
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« on: February 15, 2010, 05:43:48 PM »

'Off the beaten Slash path': Former Guns N' Roses guitarist talks of teaming with Fergie, Adam Levine for solo effort

February 15, 2010

There are few vocalists, said Slash, who can inspire him to trot out a signature Guns N' Roses song such as "Sweet Child o' Mine." At the top of that shortlist, perhaps to the surprise of many of the guitar-slinger's longtime fans, sits Fergie. While the singer behind "My Humps" would seem to be a long way removed from the hard-rock stud, Slash defined the Black Eyed Peas vocalist as a "closet rock 'n' roll singer."

Though it wasn't the first time he performed the song with Fergie, Slash and the Black Eyed Peas ran through "Sweet Child" when the pop band opened for U2 at the Rose Bowl in late 2009. It's Fergie's ability, said Slash, to sing in the higher notes associated with the enigmatic Guns N' Roses frontman Axl Rose that persuaded Slash to perform the song in front of a stadium audience that was estimated to top 95,000 people.

"That was a first for me, to go out and pull out ?Sweet Child o? Mine? in front of however many thousands of people at the Rose Bowl with a different group," Slash said. "I had never really played that song with anyone besides Guns N' Roses. Fergie asked me if I would do it with her, and she?s honestly one of the only singers I would trust that song to."

She's one of more than a dozen vocalists who will appear on the guitarist's upcoming self-titled solo effort, set for release this April. It's the artist's first work since Velvet Revolver fizzled out in 2008, and first to bear his name since his two albums with Slash's Snakepit, who last released an album in 2000. The upcoming effort follows a pattern defined by another guitar hero, Santana. Slash is paired with a lineup of multi-genre artists, including Ozzy Osbourne, Kid Rock and Marooon 5's Adam Levine.

"I wasn?t trying to consciously bridge any generation gaps or to try to be eclectic," Slash said. "I wrote the music first, and I took the different styles of music that I was writing and farmed it out to singers who I thought might like it or be appropriate for. So for instance, I?d say, ?Adam Levine would sound amazing on this.? So while that may be way off the beaten Slash path, I knew that?s what I would sound great."

There's plenty of familiar faces as well. Onetime Guns N' Roses members Josh Freese and Duff McKagan make appearances, and Slash said there won't be anything on this album that completely throws fans for a loop, as Soundgarden leader Chris Cornell did when he teamed with producer Timbaland on last year's "Scream." Cornell, by the way, also appears on Slash's effort.
"As a solo artist, I could get away with a lot of things that aren?t confined by the parameters of being in a band," Slash said. "This was a musical statement for me. I provided music for the singers, and it was an open campus for them to do what they wanted. Some people we collaborated on the music, and did whatever was necessary for that singer to have as much input, and some instances the arrangement I set the demo is the way it came out on the record. They had free rein on the lyrics and the vocal melodies. "

The album will be released in conjunction with EMI Label Services in the U.S., which will act mainly as a distribution/marketing partner. Slash is going without a proper label deal, and he has lined up different distributors in each territory. Roadrunner Records, for instance, will handle the European release of the album.

The Los Angeles-based guitarist, whose acrimonious relationship with his former Guns N' Roses partner has become the stuff of heavy metal lore, said he wanted this album to be as independent as possible, from both the creative and business ends.

"Given my experiences over the last 20 years, this gave me a whole new lease on life," Slash said. "There was no drama. There was no complicated or complex situations having to deal with writing and recording. This was so painless. It changed my whole perspective on how complicated working with anybody should ever be."

Slash will be taking the album on tour with singer Myles Kennedy, who fronted post-Creed band Alter Bridge. Once rumored to replace Robert Plant in Led Zeppelin, Slash promises that fans will hear him perform numerous songs from the Guns N' Roses days. While with Snakepit, Slash regularly performed such GN'R songs as "Mr. Brownstone" and "It's So Easy," and he said his summer tour will dig deeper into the catalog.

It's not, said Slash, an attempt for him reclaim the Guns N' Roses legacy. Under the Guns N' Roses banner, Rose last year released the long-awaited "Chinese Democracy" through an exclusive deal with Best Buy. The album was met with tepid reviews and lukewarm sales, and it failed to spawn a hit.

"You know, I think the legacy of the original band stands on its own, and it?s sort of an enigma," Slash said. "It?s more popular now than it was when it was together. But the rest of what?s being going on, I don?t have anything to do with, so I don?t take the perspective of judging it. It?s two separate entities."

So then why now? Why return to songs he hasn't played to large audiences in 20 years?

"More than anything, it?s because Myles is such a capable singer," Slash said. "He knows those songs, and he sings them great. A lot of those songs are in a register that most people can?t sing, and Myles can, and he can do it from the heart. That?s the real reason for unwrapping certain material that I haven?t played with anybody else."

In the lead-up to the album's release, Slash will take part in a promotional contest with Guitar Center ("Your Next Record With Slash"). Unsigned bands will vie for the opportunity to record a three-song EP with producer Mike Clink, as well as earn a "management development deal" with the Collective. Slash will also play on the EP, which will be released digitally.

Asked if the younger Slash would have partaken in such a contest, the artist said: "For me it has a lot to do with the survival of the medium of rock ?n? roll. I want to hopefully get a resurgence going and find something that is way more significant than a contest. Given the climate of the industry, if I was in a new band at present, then I would definitely take this opportunity to look. There?s solid people behind this. It?s not ?American Idol,? it?s not one of these reality TV shows or anything like that."

http://latimesblogs.latimes.com/music_blog/2010/02/slash.html


Another interview with LA Weekly - Video: http://www.youtube.com/watch?v=NxpL0Evl-k4

Full interview transcription: http://blogs.laweekly.com/westcoastsound/interviews/guitar-center-slash-solo-album/index.php?page=1

« Last Edit: February 16, 2010, 01:48:14 PM by FunkyMonkey » Logged

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« Reply #1 on: February 15, 2010, 07:59:55 PM »

Quote
So then why now? Why return to songs he hasn't played to large audiences in 20 years?

"More than anything, it?s because Myles is such a capable singer," Slash said. "He knows those songs, and he sings them great. A lot of those songs are in a register that most people can?t sing, and Myles can, and he can do it from the heart. That?s the real reason for unwrapping certain material that I haven?t played with anybody else."

That was my immediate thought when I saw Myles was doing vocals for the tour. His range is almost unmatched out there right now, and he will sound awesome singing Guns songs because there isn't a note he can't hit. I also think he will sound killer on some of the VR songs, very very excited for the Slash tour and I hope he alters the setlist often and we get lots of high quality footage.

Not really surprised, but it is interesting that Slash paid for the record himself as far as recording. If you can afford it (he obviously can) it's not a bad idea as you have total control which artistically I would think would be awesome. I am interested to see how it turns out for him and if he recoups his investment or not.
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metallex78
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« Reply #2 on: February 15, 2010, 09:31:24 PM »

Yeah, great to hear that Slash will be delving deeper into the GN"R back catalog, I've been wanting to hear Slash play more GN'R stuff for years!
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« Reply #3 on: February 16, 2010, 12:33:14 AM »

Guys, this is fantastic!  Maybe we hear some Rocket Queen, Civil War, Out To Get Me, KOHD, Paradise City, and SCOM.  Myles is a pretty sick singer.
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jacdaniel
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« Reply #4 on: February 16, 2010, 02:25:19 AM »

This tour is gonna be awesome!  Ive always wanted to see Slash do more Guns songs.
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« Reply #5 on: February 16, 2010, 03:39:06 AM »

Id love if he did Coma!
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« Reply #6 on: February 16, 2010, 09:25:29 AM »

Another interview with LA Weekly -

Video Interview: Slash Talks Solo Album Details, Guitar Center Contest, and His New Attitude Towards Frontmen

Feb. 16 2010

L.A. Weekly: Let's start by talking about this unsigned artist competition with Guitar Center.

Slash: It's pretty cool. It's an interesting prospect because I don't think that up-and-coming rock and roll has gotten its fair shake over the last ten years. I think this is a really great avenue for people to try and get picked up, basically, and get some music recorded. It's a good sturdy foundation to build on. I'm interested to see what people submit and see what's out there. The whole goal is to find that band that's got a musical personality and all those qualities akin to rock and roll... that spirit that turned me on to it when I was coming up. That's far and few between in this industry right now but that doesn't mean it doesn't exist.

One thing you've said is that the traditional means of discovering new talent has been decimated at this point.

Completely.

It's kind of tragic. Do you feel it's a tragedy?

Well, to try and be more of an optimist [laughs], music goes through its peaks and valleys -- especially rock and roll because it's such a volatile genre, right? I'm not talking about what people label easily as rock and roll, but like the real attitude and individual spirit that comes with a band that really has its own thing to say. Hopefully we're on the beginning of another sort of rock revolution at some point soon.

That'd be nice.

Yeah, wouldn't it?

You also have a solo record coming out in April, Slash, and it's being described as your first true solo record. But you've done stuff before on your own, so why would this be the definitive solo record for you at this point?

I think when it comes down to it, inside of the first year I picked up a guitar I've always been in a band. Even when I had Snakepit, which was a band that originated with me, it was still treated as a band. It was five different guys who had equal input so it was a group situation, that sort of democracy that makes up a hopefully functional group [laughs]. After years of doing that and then the whole thing with Velvet Revolver and Scott [Weiland] and revisiting difficult lead singers again, I just needed to do something where I was calling my own shots. I needed to be able to do whatever music I wanted to do without having to worry about the other guys nitpicking it to death or rejecting it entirely.

Speaking of difficult singers, you definitely have worked with two of the more difficult in the industry -- Axl and Scott. On this solo album, now you've got a ton of singers you've worked with. You've got Iggy Pop, Ozzy, Fergie...

Rocco DeLuca. From Kid Rock to Ozzy, Iggy Pop, Lemmy -- those old school guys -- and then Andrew Stockdale from Wolfmother and M. Shadows from Avenged Sevenfold, it's a real eclectic mix of vocal performances. But they were all great. Every single one of them was really professional, obviously really talented, but none of them gave me the impression of being highly volatile. It was a cool situation because it was only one song. It wasn't like it was their next big hit for their record that they had to worry about. It's just a song for Slash; no big deal.

Well, as long as it wasn't trading the difficulties of working with one singer for the difficulties of working with 12. You just like to up the ante don't you?

[Laughs] It was actually a very satisfying and worthwhile effort because it gave me a new lease on the whole lead singer reality. It's not as dramatic and hectic as my experience has been prior to this. It's given me a new attitude towards working with frontmen, with all due respect to Scott and Axl. Those guys are two of the most amazing singers and part of what makes them so great is their volatility. So I can't say anything negative. For this record, not knowing what I was getting into, it was really painless and easy -- the creative part of it.

You lie. That sounds too good to be true.

[Laughs] It was really a lot of fun. I just wrote music and demoed up 20 songs and sent them out to singers that I thought would be appropriate for any given piece of music. It didn't get complicated until we had to deal with the paperwork for each artist [laughs].

Were there any singers that you approached for this album that turned you down?

Two. And one of these was blown out of proportion. I did the record with Eric Valentine who is the most superb producer and the perfect guy for me; it was almost like match made in heaven for this project. Originally Mark Ronson was slated to do it and there was this one song I couldn't figure out who was going to sing it. He suggested Jack White and I thought that'd be interesting so he went to Jack White and Jack said, "I'll play drums on it, I'll play guitar on it, but I won't sing on it." And for some singers that's a very personal thing that they do within the confines of their own group. So that one didn't happen. Another one, there's an instrumental on the record, and Dave Grohl was playing drums and I originally wanted him to sing it as well but he was like, "I don't like doing guest spots. I suck at it," so we just made an instrumental out of it. There was one other guy I couldn't get because of contractual [reasons]. Everybody else I was really fortunate to get and for the song that Jack White was going to do, I ended up working with Myles Kennedy which was a blessing in disguise.

Was it ever a situation where you had all the singers in the studio at the same time? Were there any personality conflicts?

No, it was great. Iggy Pop set the pace for the whole record.

[Laughs] Doesn't he always?

Really, he flew in from Florida and I rented him a convertible and he showed up and it was just like, that was the way it should be done. That set the pace, like I said, for the way everybody else did it. Very spontaneous. Iggy came in and did his thing, then he flew back. Then we went on to the next song, recorded the music, then the next singer would fly in. The only time that I had multiple artists in the studio at one time was when we were doing "Paradise City." Fergie was there and the Cypress Hill guys. We all know each other, that's how that came together. Watching each of these individuals perform in their own element, even though it was partially my element, but still it was their forum to do their thing, was really engrossing. Working with any one of them, from ordering potato chips and Jack Daniel's for Lemmy, to hearing Adam Levine sing this high falsetto song in one take, there were a lot of experiences like that. Watching Fergie sing rock and roll for the first time on a record...

Where does the value in collaboration lie for you?

That's a good question. The value in collaboration is the broadening of your own horizons and working with different people in different situations, a lot of times by the seat of your pants, learning how to adapt and be able to synergize with different people no matter how different or off my beaten path. Staying in one group and doing one thing puts you in a bubble so I started branching out just for my own sanity. It's turned into something that's made me a much better player.

You're going to be busy [in April] with the Guitar Center project and the solo album all coming together at the same time...

Erin... fuckin'... realistically, being busy is what's kept me out of trouble [laughs].

[Laughs] I second that.

I welcome it. Things are really ramping up right now but it's all really good. We'll see how this whole thing evolves.

Video: http://www.youtube.com/watch?v=NxpL0Evl-k4

http://blogs.laweekly.com/westcoastsound/interviews/guitar-center-slash-solo-album/index.php?page=1


« Last Edit: February 16, 2010, 01:48:50 PM by FunkyMonkey » Logged

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« Reply #7 on: February 16, 2010, 09:54:06 AM »

so there were 3 vocalists that he didn't get, wonder who the contractual reasons guy was, corey taylor or steven tyler maybe? wonder how one of them were blown out of proportion, did he mean the thingie with jack white
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« Reply #8 on: February 16, 2010, 11:29:25 AM »

Awesome interview and yeah, i think the one that got blown outta proportion was the jack White one.

Cool how he took the high road even though the interviewer was trying to get him to say something negative about Axl and Scott.  And he actually complemented both.
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